Large Format Photography Australia

Reinforces my belief that Black & White is the best colour you can get.

I'd suggest that the preferred option should be governed purely by the intent of the author. As viewers we would be presented a visual statement about the photographer's interpretation of the motif.

The tones in the shade punctuated by the intensity of the sunlit path make me feel the cool of being in the shade — even to the point of a breeze in my enclosed room I am sitting in here.

So much for not shooting in the middle of the day! The adherents of that old wive's tale would have completely missed out on these exquisite views.

Great to see you on the forum Barry. How's tricks?

I'll ask around and get back to you.

To quote a sage hero of mine: " One should photograph objects, not only for what they are but for what else they are." — Minor White So here, for me, are symbiotic forms, perhaps unwittingly forming a classic icon through which we can view other realities, or our own reality. Love it Maris!!

Correct! What a difference a year makes. ECS closed several months ago and I suspect that legend might have also changed grammatically to Past Tense.

Bloody sad!!

Nice one MIck, I would not fret too much about how else a 65mm might have affected this: I feel that there is great value in the proportion and scale of the topography and so the purpose of this swing bridge. Just more of the same old, same old from me I guess with my preference fopr picture 'about'...

Mick,

Where are you sourcing the Bergger in Aust?