Large Format Photography Australia

I do like 2.5:1, and as you know Lachlan, I would love a 7x17, or even a 4x10. The big factor with 4x10 is cost and availability of suitable film (Fuji Velvia 50 is being discontinued in 4x5 and 8x10 as of December this year) and 7x17, well, the choices are are all BW... I feel the same about 6x12 s...

Would accept $200 for the print drums, the extension drum and the 2553..

I shoot large format colour transparency film for its vivid colour, strong contrast, exceptional sharpness, fine grain and then the killer, how easy it is to shoot, process, evaluate, scan, post process and have printed in ridiculous sizes.. I've printed one of my trannies 30x60" on Fujiflex am...

Holga 120PAN is sold.

6x12 film back is on hold for Welly.

Will accept $500 for the 75mm F/4.5

Will accept $100 for the Linhof Kardan

Will entertain offers for the quickloads (I know I'm never going to shoot them...)

Jars121, home developing e-6 is so simple and im now paying around 3 bucks a roll... The processor has paid for itself already and so has te 5l chems kit. So now i have 3.5 litres of chems that owe me nothing.. Its so nice to do it yourself. Oh, and velvia 100f Ian actually pretty muted compared to ...

Two Jobo 2480 print drums with clips, lids light traps.. Perfect condition. Jobo 2560 extension drum. This drum just extends the length and capacity of your existing 2500 series drum. If your current drum allows you fit one 2509 reel, this extension will extend it to be large enough to use 3x 2509's...

I think its pretty obvious that I'm a Velvia 50 nut. I really don't have much experience with anything else. I dont know how to develop BW films, but I process my own E6 slides at home once a month.. I just havent bothered to learn other films really. Colour is the main thing I shoot for. Obviously ...

Great exposure Geoff. What film did you use for this, you've done well to not blow out the glared reflection of the guard rail while also getting detail from the road surface and the shadowed hills in the background... That kind of dynamic range makes me (as a Velvia 50 shooter) jealous... I wish th...

and to think I was planning on heading back in there to try again in better conditions... Maybe I'll pass...

I tend to shoot F/22 almost always. F/32 is as deep as I will go as I don't want to kill the image with diffraction. I find I never NEED to go past f/22 but will shoot f/32 when I'm a little unsure.. (or with longer lenses)