Large Format Photography Australia

Well spotted Maris, It was a totally unintentional inversion, I assure you. Also laterally reversed. It was so long ago and memory failed me. And bloody E-6 emulsion side is not all that matte. Corrected now. The vent stack from the underground car park was the primary give away when I delved into i...

I go along with your summation there Mark. I'm keenly following the line of reasoning because I'm about to start shooting colour neg myself for the first time to compare with XP 2. I feel more secure trusting a dip and dunk at a commercial lab given that I have to function by remote control.

Thanks Mark, The viewpoint was requested and the 35mm lens was the only one available that could achieve it. Keeping in mind that a plan view is business as usual for designers and architects. It is shot with the 6x12 back to isolate the relevant content. Viewing the full 4x5 screen meant that the l...

Thanks Maris,

We're all engaged in finding the cosmos in the chaos but the task is made all the easier when architects and designers leave a trail of crumbs to follow.

View straight down from a balcony for a landscape architect using a Linhof Master Technika with a Rodenstock 35mm f/4.5 Apo-Grandagon.

On a tight site in Sydney's Queens Park, this is a courtyard residence and gallery to display an extensive collection of contemporary Australian art. The concept is a north-south sequence of interlocking and skewed boxes in clashing primary colours. https://live.staticflickr.com/65535/51676677469_5b...

Colour neg is a whole other world A world that I'm about to explore, Mark, And you've given me a great lead in that Ektar sample in the other thread. Thanks. I've just bought what I hope to be a wheelchair usable 5 x 4 and the most facile avenue open to me is C-41 either in sheets or 120 in a 6x12 ...

Great shot and appropriate research or knowledge of the subject as usual Mark, I see that there is some costly hedging of the bets going on here. Multiple emulsions on each shot and I dare say at least 2 sheets of each (at the very least). You create well seen and richly considered gems and the cost...

Here's a hard question: Since I have not made a colour picture in over forty years this pair of Pandani leaves and Lichen challenges me to pick one but I'm not sure how. Both look very good. What criteria does the colour photographer invoke to select the right film for this subject? Don't go there ...

It would seem it might be raining all. the way to Sydney, Mick,, Mind you, I curse my self for not persevering more frequenttly in inclement weather. When I returned from my first trip shooting in England a mate asked what I thought of it and my answer was that it was great ttot have weather that yo...