Back about the late 1990s I was given a pack of of proposed prestige graded warm tone paper to appraise for Kodak. It was fibre-base and about midway between single weight and double weight with a smooth lustre sort of surface. I shot some varied material to show particular strengths — this high key shot of a school chapel printed super creamy and delicious.
Sinar F2 ii 4x5, Schneider Apo Symmar 300 mm 1:5.6
Kodak T-Max 100, T-max RS, Jobo ATL 2 Plus