LZ IV 35 Years ON
Posted: 22 Jul 2021, 18:47
© Walter Glover All rights reserved. No reproduction rights granted.
A 2:1 crop from 5x4 textured, grubby and gritty mindful in a way of what Led Zeppelin IV cover may have become over time. The framed portrait of the man with a sheaf of faggots is a door- and window-frame full of sticks. Ramped the curves in PS a tad2:1 crop from 5x4 textured, grubby and gritty mindful in a way of what Led Zeppelin IV cover may have become over time. The framed portrait of the man with a sheaf of faggots is a door- and window-frame full of sticks.
This proved to be a somewhat pivotal set up because in trying to realise the desired framing given the limiting terrain I was impeded by mechanical restrictions of my field folder and got onto Ebay the very next day to horse trade what would prove to be my very last Sinar F2. Who was to know?
Toyo 45A II, Apo Sinaron SE 210mm 1:5.6, Ilford FP4+, Ilfotec DD-X
A 2:1 crop from 5x4 textured, grubby and gritty mindful in a way of what Led Zeppelin IV cover may have become over time. The framed portrait of the man with a sheaf of faggots is a door- and window-frame full of sticks. Ramped the curves in PS a tad2:1 crop from 5x4 textured, grubby and gritty mindful in a way of what Led Zeppelin IV cover may have become over time. The framed portrait of the man with a sheaf of faggots is a door- and window-frame full of sticks.
This proved to be a somewhat pivotal set up because in trying to realise the desired framing given the limiting terrain I was impeded by mechanical restrictions of my field folder and got onto Ebay the very next day to horse trade what would prove to be my very last Sinar F2. Who was to know?
Toyo 45A II, Apo Sinaron SE 210mm 1:5.6, Ilford FP4+, Ilfotec DD-X