In search of a missing Mojo.

[Walter Glover]

Incorporated industrial folly





And closer.





Shaded foliage

[Maris]

I reckon it's the foliage counterpointing the severe inorganic forms that lifts these pictures. Look at the second one. The leaves and twigs nicked in on the left saves the view from wall-to-wall industrial folly.

[Walter Glover]

Agreed Maris,

It was indeed a deliberate inclusion. In fact, in the second pic (450mm as opposed to 210mm for the first) I did consider a portrait orientation but, as you say, there was a lack of contextual counterpoint.

Cheers,

[Lachlan717]

Agreed Maris,

It was indeed a deliberate inclusion.

Cheers,

Was cutting the top off the stack also deliberate?

[Walter Glover]

Yes.

[Lachlan717]

Why?

[Walter Glover]

If it is not self evident there is little point trying to address it. So, I guess the usual answer to Why applies: Why not?

[Nathan Everett]

Was it done to simply have a complete discontinuation of the empty space at the top of frame? For me this would make sense...