In over 60 years of photography this was the first and only time I ever knowingly set my tripod in the tripod foot holes of an earlier photographer. It was not my purpose to replicate the cropping and framing of my venerable peer Frederick Henry Evans but instead using, the technology at hand as Mr. Evans did, chose to utilise the benefits of the Super-Symmar XL 110mm to set his motif. in the context of the enveloping grandeur of Early English Gothic architecture. Had such an objective been available in 1903 might he have put it to the task also?